Kiran Hunter, 32, Homme, États-Unis
kirannotez.comDernière visite : décembre 2012

123 écoutes depuis le 7 nov. 2011

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À propos de moi

Kiran Notez has been involved with Electronic music from an early age. ” I would say my influences are Metal, Hip-Hop, Reggae, and definetly sound effects” says Kiran Notez, who has now become known for smashing powerful bass sounds while also making them sonically enjoyable. “Early influences I would say are Zach de la Rocha (Rage Against the Machine) and Trent Reznor (Nine Inch Nails), and I have been working on music production and have been playing piano and keyboard for over 15 years” ”I would say for me music is all about experimenting, but at the same time keeping a solid groove that has a flow” Kiran has an amazing ear and knack for sound design. He has produced an amazing array of music, with heavy basslines at the core of it all. Whether its is room shaking machine basslines, or his elegant emotional sunrise sets, the Basslines are always special and unique.

Kiran Notez has produced over 75 original tracks choosing to wait to release on his own label BassHop Records. In 2013 he will be releasing several Ep’s and at least two albums. He also produces all the music for the Group Digital Prophetz, and has a collab group called Bridge Theory with Energy Alchemist. A perfectionist of everything, Kiran continues to push the bar on synth sounds and cutting edge sound manipulation. ” I am thankful for the opportunity I have to create and release the chaos within. Without music I might not be sane.” ”I really love the crowd and vibe they create, the show really becomes a collaboration effort between me and everyone there” His sound described as a mix between Dubstep, Hip-Hop, and Glitch all mashed together, contains beautiful synths and samples that let you know for all the heavy sound Kiran has a lighter side as well. Smashing the Dancefloor will always be his specialty. Now, Kiran plays all over the US and has shared the stage with some of Dubstep and Glitch-Hop’s top producers.

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