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Cadential trill for 3 bars, over which the opening figure of Idea 1 suddenly enters. A playful dialogue around this tiny figure ensues, after which loud repeated chords enter and slink away with something like insouciance.
Beethoven
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Idea 1 stated, now more wistfully, and with extravagant pauses. Each phrase alternates between the original tempo and agadio.
Beethoven
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il y a 14 heures
chrussel n'aime pas ce titre
RECAPITULATION OF TRANSITION + EPISODE 1. Latter now in G.
b
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MAIN THEME / RECAPITULATION. Idea 1 enters over drone, Idea 2 elaborated in triplets. At Idea 2 also gets its own triplet drone.
A
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chrussel n'aime pas ce titre
part canon . At a new theme enters, and alternates with Idea 1, modulating constantly.
C: MIDDLE EPISODE / QUASI DEVELOPMENT. Idea 1 in bass, then developed in 2
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EPISODE 1 / QUASI THEME 2. Note triplet octave tremolo, which will recur later.
b
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chrussel n'aime pas ce titre
flats that come out of nowhere ( and similar)
A SECTION repeats itself, with yet even lashings of ornamentation. A deliberately clumsy statement of Theme 1 appears at , with silly emphases on A
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chrussel n'aime pas ce titre
consciously + self-indulgently overlong
Extended dominant preparation, featuring surprising amounts of chromaticism and dissonance. Self
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B SECTION, Theme 2, reaching the dominant via Neapolitan harmony
Beethoven
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chrussel n'aime pas ce titre
A SECTION, Theme 1 repeats itself again, with more ornamentation (it becomes clear that this melody is besotted with itself)
Beethoven
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il y a 14 heures