Quendus

silverlage a écrit :

Yes, E Nomine and O Quam Tristis are similar, which brings me to this station. One of my favorites. Feel free to check it out at a different time because it may put you to sleep. It is not very upbeat but I can't help but think that you may appreciate it somewhat...Chambers and Catacombs

Voir le profil | Répondre

silverlage a écrit :

...and while we are sending groups back and fort...and since we have hit a medievil vein, how about Corvus Corax?

Voir le profil | Répondre

silverlage a écrit :

so what is the #ennui channel on chat.serenia.net .?

Voir le profil | Répondre

silverlage a écrit :

Well, with a name like that, you don't have to twist my arm. That's regarding the playlist. Been listening to it over the past half hour. I'll have to check out the other band. E Nomine isn't so much metal though. Maybe the song you happened to hear had more than the usual. Not that I am against metal mind you, well ok I am against most metal. It wasn't until Black metal came out that I started to appreciate it more. I do like things taken to the extreme, one way or the other. Nice variety of songs on your playlist by the way.

Voir le profil | Répondre

silverlage a écrit :

E Nomine, are you familiar with?

Voir le profil | Répondre

progandother a écrit :

Alas!! The accents have caught you out. Now your Italian shall perish; no more operas for you!!

Voir le profil | Répondre

progandother a écrit :

I must say for an AS piece this is incredibly well thought out; I didn't write that many metric shifts in my AS piece and I still managed to get an A. But I can definitely see the exposition and the recapitulation. I have however been encouraged to incorporate a style that is simple and resolves well. Which doesn't come naturally to me but it's what the examiners want with their big check list of things they're looking for; the containment rule is to prevent teachers or other people writing the compositions for them (again though it doesn't really stop them) so they know the creativity came from you. Haha, I ended my piece in C Major for no explained reason as well, it was in A Flat Major and for no good reason I removed all accidentals when reaching the tonic of C and it sounded much more resolved. I'd show you the piece but only the examiners have it, and the sonata I'm working on is hideously incomplete so it'll seem a bit out of place.

Voir le profil | Répondre

progandother a écrit :

Sadly the video player on my computer is incredibly slow and unresponsive so I only saw the first 30 seconds; but it was a rather interesting and mesmerising array of polygons. Aah the music, well you see the syllabus changed last year, now all composing must be done within 20 hours; all hours are supervised and monitored and you're not allowed to work on it outside of the classroom and you're not allowed to bring anything into the classroom in with you. It's meant to be spontaneous but no one actually does that so I've been told to work on it outside and just not tell anyone (and I doubt the examining board will monitor my conversations on lastfm.) The rondo will probably be done in a few weeks; I'm really bad at resolving pieces as I've never liked cadences but it'll end of it's own accord eventually. It's in sonata form? I'll have to remember that the next time I look at it. Strict sonata form or were there harmonic differences? Or did you rip sonata form apart 20th century style?

Voir le profil | Répondre