A guitar player since his teenage years, he hung out at the Blues Box, a music club and cultural center in Baton Rouge run by guitarist Tabby Thomas. Playing guitar alongside Thomas, Raful Neal, Henry Gray and other high-profile regulars at the club, Benoit learned the blues first-hand from a faculty of living blues legends. He formed a trio in 1987 and began playing clubs in Baton Rouge and New Orleans. He began touring other parts of the south two years later and started touring more of the United States in 1991- and he continues to this day.
He is an avid fan of the New Orleans Saints.
Tab is also featured in the current IMAX film, Hurricane on the Bayou.
Benoit performing at the 1996 Riverwalk Blues Festival
Benoit landed a recording contract with the Texas-based Justice Records and released a series of well-received recordings, beginning in 1992 with Nice and Warm, an album that prompted comparisons to blues guitar heavyweights like Albert King, Albert Collins and even Jimi Hendrix. Despite the hype, Benoit has done his best over the years to maintain a commitment to his Cajun roots— a goal that often eluded him when past producers and promoters tried to turn him and his recordings in a rock direction, often against his better instincts. These Blues Are All Mine, released on Vanguard in 1999 after Justice folded, marked a return to the rootsy sound that he’d been steered away from for several years.
That same year, he appeared on Homesick for the Road, a collaborative album on the Telarc label with fellow guitarists Kenny Neal and Debbie Davies. Homesick not only served as a showcase for three relatively young but clearly rising stars, but also launched Benoit’s relationship with Telarc that came to fruition in 2002 with the release of Wetlands —arguably the most authentically Cajun installment in his entire ten-year discography.
On Wetlands, Benoit mixes original material like the autobiographical “When a Cajun Man Gets the Blues” and the driving “Fast and Free” with little-known classics like Li’l Bob & the Lollipops’ “I Got Loaded,” Professor Longhair’s “Her Mind Is Gone” and Otis Redding’s timeless “These Arms of Mine” (Tab’s vocal style has long been influenced by Redding).
Later in 2002, Benoit released Whiskey Store, a collaborative recording with fellow guitarist and Telarc labelmate Jimmy Thackery as well as harpist Charlie Musselwhite and Double Trouble—the two-man rhythm section of bassist Tommy Shannon and drummer Chris Layton that backed Stevie Ray Vaughan.
Benoit, in 2003, released Sea Saint Sessions, recorded at Big Easy Recording Studio (better known among musicians in the region as Sea Saint Studio) in New Orleans. In addition to Benoit and his regular crew—bassist Carl Dufrene and drummer Darryl White—Sea Saint Sessions includes numerous guest appearances by Big Chief Monk Boudreaux, Cyril Neville, Brian Stoltz and George Porter.
That same year, Benoit and Thackery took their dueling guitar show on the road and recorded a March 2003 performance at the Unity Centre for Performing Arts in Unity, Maine. The result was Whiskey Store Live, a high-energy guitar fest released in February 2004.
Benoit’s 2005 release is Fever for the Bayou,which also includes guest appearances by Cyril Neville (vocals and percussion) and Big Chief Monk Boudreaux (vocals).
In 2006 Benoit recorded » Brother To The Blues » with Louisiana’s LeRoux. The album was a bit more countrified but still was nominated for a Grammy for Best Traditional Blues Album. There is nothing country about his live rendition of these songs however.
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