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Streetlight Manifesto
7 600 996 écoutes (115 207 auditeurs)
Écouté en ce moment par : Irie00
Streetlight Manifesto est un groupe de ska third-wave orginaire de East Brunswick dans le New Jersey. Ils publièrent leur premier album, Everything Goes Numb, le 26 août 2003, sur le label Victory Records. Ils se produirent la première fois en concert le 9 décembre 2003 à la Rutgers University de Ne Brunswick. Déjà, le concert était sold out, à la seul force du bouche à oreille…
Plusieurs membres du groupe étaient déjà connu dans la communité ska du New Jersey, en raison de leurs rôles dans d’anciens groupes du coin, dont notamment Catch 22 (Tomas Kalnoky, James Egan, Mike Soprano et Josh Ansley) ou encre One Cool Guy (Stuart Karmatz, Pete Sibilia, Dan Ross et Chris Paszik).
La composition du groupe a pas mal évolué au cours du temps et consiste désormais en Delano Bonner (trompette), Mike Brown (saxophone), Jim Conti (saxophone), Tomas Kalnoky (Guitare, Chant), Chris Paszik (guitare basse), Mike Soprano (Trombone) et Chris Thatcher (batterie).
Bien que le groupe n’ait pas rencontré un très grand succès commercial, il reçoit beaucoup de crédit dans les milieux musicaux alternatifs. Leur premier album est classé parmi les 100 meilleurs album sur interpunk.com. De plus, ils publient régulièrement des albums enregistrés en live. Leur second album, qui reprend le répertoire de l’album Keasbey Nights de Catch 22, a été publié le 7 mars 2006.
Plusieurs membres du groupe étaient déjà connu dans la communité ska du New Jersey, en raison de leurs rôles dans d’anciens groupes du coin, dont notamment Catch 22 (Tomas Kalnoky, James Egan, Mike Soprano et Josh Ansley) ou encre One Cool Guy (Stuart Karmatz, Pete Sibilia, Dan Ross et Chris Paszik).
La composition du groupe a pas mal évolué au cours du temps et consiste désormais en Delano Bonner (trompette), Mike Brown (saxophone), Jim Conti (saxophone), Tomas Kalnoky (Guitare, Chant), Chris Paszik (guitare basse), Mike Soprano (Trombone) et Chris Thatcher (batterie).
Bien que le groupe n’ait pas rencontré un très grand succès commercial, il reçoit beaucoup de crédit dans les milieux musicaux alternatifs. Leur premier album est classé parmi les 100 meilleurs album sur interpunk.com. De plus, ils publient régulièrement des albums enregistrés en live. Leur second album, qui reprend le répertoire de l’album Keasbey Nights de Catch 22, a été publié le 7 mars 2006.
Top Albums
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Everything Goes Numb
Streetlight ManifestoAcheter- Télécharger l'album
- Amazon MP3 $9.99
- 7digital $7.77
- iTunes $9.99
- Acheter l'album
- Amazon Rechercher
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Somewhere In The Between
Streetlight ManifestoAcheter- Télécharger l'album
- Amazon MP3 $6.99
- 7digital $7.77
- iTunes $9.99
- Acheter l'album
- Amazon $8.50
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Keasbey Nights
Streetlight ManifestoAcheter- Télécharger l'album
- Amazon MP3 $9.99
- 7digital $7.77
- iTunes $9.99
- Acheter l'album
- Amazon $7.25
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Demo
Streetlight ManifestoAcheter- Télécharger l'album
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Shoutbox
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pashelast a écrit :
Best skacore band ever!
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Sole1 a écrit :
I wonder what contract they signed that forces them to stay with their current label. Record has been done for months and still nothing.
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Spark_and_Spark a écrit :
Ohh, samples and artwork coming shortly. Looking forward to it!
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streetlighter a écrit :
update on streetlight-homepage!
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charlycobra a écrit :
Streetlight FTW!!!1!1
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davosmavo a écrit :
They take fucking forever and haven't come to Columbus, Ohio in ages.
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if_stalin_jammd a écrit :
Great music with too much pretense. These guys kill me.
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ROSSSSSS a écrit :
Everything Goes Numb is such a fan-fucking-tastic album.
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BIGTUNA69 a écrit :
Thanks, Spark. I love Streetlight, but loathe and hate their work ethic and who they are. It doesn't make sense, but it does in my head. Viz, Yeah I get what you're saying. I think the covers is a similar deal here... I would much rather have 2 new original albums. But this covers album/collection could be just as great. Eh, different strokes for different folks. I think The Mars Volta are amazing. They are pretentious as fuck, but make great music. Some of the best musicians around.
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TheViz a écrit :
Eh, I'm kind of ambivalent about the remake. I get why they did it, but it felt like an excuse for not putting out a new album, kind of how them making their covers album feels right about now. And I was kind of joking about the Mars Volta, I don't really hate them, I just find them more boring than, say, At the Drive In. I kind of think of them as a less hateable (latino) version of Coheed & Cambria.
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Spark_and_Spark a écrit :
You have a strange way of showing affection to one of your favourite bands, Tuna.
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BIGTUNA69 a écrit :
They wasted so much time doing that. Why would they remake a classic? Idiots!
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duckboystump a écrit :
why, oh why did they have to record keasby nights again... that always seemed questionable to me. maybe its just because i grew up with the catch 22 album, but i really really dislike all the remakes. kinda pointless
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BIGTUNA69 a écrit :
My point exactly vvv. Also, The Mars Volta aren't for everyone. But they are better musicians.
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TheViz a écrit :
I agree that the wait has been ridiculous though. I get sick of listening to the same songs over and over again, I can only imagine that the Streetlight dudes are fucking bored of playing the same set for years.
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TheViz a écrit :
Well, the main difference between Streetlight Manifesto and the Mars Volta is that I can listen to Streetlight without thinking "this is fucking stupid."
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BIGTUNA69 a écrit :
Tom is lazy. Simply put. Portugal. The Man just announced their next new album, entitled 'American Ghetto'. Their work ethic puts all other bands to shame. It's crazy. Streetlight Manifesto's songs are, on a scale from 1 to 10, a 7 regarding intricacy. Tomas' guitar riffs are simple. His solos are nice and smooth, but again, not too complex. The horns, I understand, make their songs seem* intricate. If you really break it all down, their songs are just as one dimensional as Blink-182s or Green Days. Understandably, since early punk bands are a strong influence in their music. An example of a truly intricate and complex band would be The Mars Volta. So much going. So many levels and elements.
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JanieVicious a écrit :
Either way, he's still the one that comes up with the ideas.
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KSava a écrit :
Tom actually said he just hums the brass section parts and they put it down in a more legitimate form.
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JanieVicious a écrit :
BIGTUNA69: Streetlight Manifesto's songs are a lot more intricate than you're giving them credit for. Also, if Tom wasn't the perfectionist that he is, Streetlight Manifesto wouldn't sound nearly as great as they do. Plus, do people forget that Tom not only writes the lyrics to the songs, but also the the guitar parts AND parts of the brass? Not to mention the fact that he also does all of the artwork for their merch... Yeah, it sucks having to wait so long to hear something new from these guys, but it's all anticipation for something that we know is going to be GREAT when it's finally released.
Vidéos
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ChiUnit4evr
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wingwinder
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lexi_souter, Soider, MeganSalva et 9 autres personnes ont ajouté Streetlight Manifesto à leurs bibliothèques. Il y a 22 minutes
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tincanmademan, trashculture77, fullmetalmenace et 30 autres personnes ont ajouté Streetlight Manifesto à leurs bibliothèques. il y a 7 heures
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CerpinnTaxt a tagué Streetlight Manifesto avec le tag ‘have seen live’. hier matin
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Andr3wVandenber, deadfenris, mad5372 et 16 autres personnes ont ajouté Streetlight Manifesto à leurs bibliothèques. hier matin
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Bleaki a tagué Streetlight Manifesto avec le tag ‘ska’. hier matin
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ChrisJPinto, sneaks1601, benny6003 et 28 autres personnes ont ajouté Streetlight Manifesto à leurs bibliothèques. hier matin
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akamud a écrit un article sur Streetlight Manifesto – Somewhere In The Between dans Greatest Albums of All Times IMO. Il y a 13 jours
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Scarysmurf a écrit un article sur Streetlight Manifesto – Somewhere In The Between dans 50. le mois dernier
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