Jon Foreman

Articles

  • YouSingIWrite.com Q&A with Switchfoot's Chad Butler

    16 mars 2010, 2h39m par yousingiwrite


    Interview Originally Published: November 2007

    San Diego natives, Switchfoot, are about halfway into their "Appetite for Construction" tour, where $1 from every concert ticket goes to Habitat for Humanity. With a new album in the works for next year as well as a solo EP from singer Jon Foreman hitting shelves later this month, Switchfoot has been keeping busy. Drummer Chad Butler took some time out from the tour for a phone interview and talked to me about helping out on Habitat builds throughout the tour, being away from home while the California fires were raging, the recent split with record label Columbia, and his favorite venue to play at. Catch them in concert at Hammerstein Ballroom this Saturday, Nov. 17 with Relient K and Ruth.

    How is your tour going so far?

    It’s excellent. It’s halfway over now and kind of a bittersweet thing to be thinking about the end of the tour. It’s been so great - the band, crew, a really great unity.

    $1 from every ticket sold on the tour is going to Habitat for Humanity. What made you decide to choose this organization over another?
    Several of the guys in our band had been involved in Habit builds in New Orleans and Kentucky. It’s an incredible organization nationwide, and has a chapter in almost every city. Our goal is to encourage people to donate time locally in their own city. We’ve gone out and built alongside people in the community. One of most amazing things about Habitat for Humanity is you don’t need to have any prior experience or expertise…they’ll put you to work and you make a difference. I’ve been really excited to see our audience to come down the sites.

    I’ve seen you several times in concert and you always have so much energy. How do you keep up with each show every night after years of touring?
    Gosh I wish I had some secret recipe for staying healthy! Really, for us the motivation is connecting with people. I think for so much of the importance we put on bands on stage, it’s a false reality. The hour we spend on stage is less important than the rest of the day and how we interact with people. To hang out with fans after the show and talk about life is one of the most important parts for me. In our live show there’s a conversation, it’s a two-way dialogue. To have the audience singing it back is amazing, to have people after each show come up and say how much a song means to them, that’s motivating. Our motto has always been “life is short, live it well.” It comes to have a significance. Each day that I wake up and get to play music that I love and get to travel the world with my best friends is great and I don’t take it for granted…each breath is a gift.

    At first you guys were known more as a Christian-based band. After 6 albums you’ve greatly expanded your music and fan base. Was there a process at all or goal to grow out of being known more as a Christian band?
    We’ve always been very up-front about what we believe and who we are. Faith is just as important to me now as it was 10 years ago. Only other people will call you what they will. For us it’s always been about making honest music. For me, I don’t see a significant change in who we are at all…I think hopefully there’s a broader, wider audience. I think it’s a wonderful thing to have more people listening to the music. For me it’s about thinking people. I think it’s to make honest music for thinking people.

    Are there plans in the works for your next album?
    Yes. We started this summer. By August we recorded 14 new songs. We’ve been recording on the road a little bit. When we get done with this tour we’re going into the studio and will be putting that out probably a year from now.

    What kind of sound can fans expect with the new album?

    I think we’re definitely experimenting. We’re in a mode of trying new sounds and so far it’s been really exciting. In the mean time we’re pretty excited. Jon’s finally getting to put out his solo acoustic EP’s. As a newly independent band we’re getting more of a creative outlet; being able to put out music whenever we want, and put our music out more directly to our audience whenever we could. Jon’s EP comes out later this month titled Fall.

    You guys have your own record label now, right?
    Yes, it’s called Lowercase People Records. It’s something we started as a vehicle to get our music out more directly to our audience. Jon also has a side-project with Sean Watkins from Nickel Creek, called The Real SeanJon. He’s working on putting that out early 2008. We’re just excited to finally hear some of these songs Jon’s been playing late at night at coffee shops down the street after our concerts. Those are finally getting the light of day. It’s an exciting time for us as a band. This is our first tour as independent band. We’re doing something much bigger than selling records. It’s playing music with the people you love and a much bigger cause than Switchfoot. We’re changing people’s lives around the country and the world.

    You guys seem a lot happier since the break with Columbia Records.
    It works best for us. We’re a band that likes to communicate directly with people one-on-one. We’ve always tried to break down audience and band. Taking out the middle man is a way to communicate more directly.

    What does the writing process typically involve for the band?
    Most of the songs start with Jon and an acoustic guitar and we build upon that - simple lyric and melody. It'll expand and take place as we build it as a team. It's a daily thing; we're always working on music. Everyday in the dressing room. We've got computers and microphones and guitars. We're always recording and working on new ideas. There's a constant flow of music.

    It must have been a rough time for you being on the road with the fires in San Diego. How did you deal with being on the road and away from home when all of that was going on?
    It’s surreal to look at the streets where you grew up on CNN from the back of a tour bus. It’s very surreal. I’m really grateful that our families are okay. I really feel for the people that lost so much – homes and all of those memories. When it was happening you have that desire to help in some way. We felt we were helping in the best way we could – in light of the fact that this tour was about rebuilding and working in Habitat for Humanity. I’m sure Habitat will be helpful in aiding those families. It’s a reminder that you’re not guaranteed tomorrow. Those things that we hang on for sometimes, the things around us are meaningless in the scheme of life.

    What’s a typical day like for you on tour?
    On this tour, in a lot of ways, we’re doing tangible work. We’re able to go out to a job site, meet with families that are working with Habitat and encourage local heroes - volunteers spending their hours helping their neighbors. This tour has been much more tangible and exciting to me than just talking about the band or our latest single. It feels like there’s much more of a human element for this tour, it feels really good.

    I read that you’re planning on doing a tour for the troops in Iraq. Can you tell me a little more about it?
    We’ve been trying to get over there for a while, being from San Diego and having Camp Pendleton being so close and people we’ve grown up with in the Middle East serving our country. Regardless of how you feel about the politics and the war, these are our friends and family. To give back in some small way will be a really exciting thing. We’ve been trying to coordinate that. It’s kind of a volatile situation there right now. If there’s a way to do that we’ll make it work.

    Do you have a favorite song you love to play on tour?
    Well, right now the new song, “Rebuild,” that’s been released on this tour is fun to play. “Rebuild” was written by Jon Foreman of Switchfoot and Matt from Relient K. The song is inspired by the idea that we’re a generation that has time to kill and put our hands to good use…it’s a song we’ve been playing every night at the show where all the bands come out to the stage and it’s a great part of the evening.

    For the Switchfoot set, for me it’s a really exciting thing to be halfway around the world and have someone singing along. There’s a song “Dare You to Move,” that we wrote many years ago and it’s the highlight of the night. No matter where we go the audience is singing along. There’s a unity that exists inside a rock club that rarely exists anywhere else where you have strangers putting their arms around each other singing along. It’s a connection that I rarely see anywhere else. Music is a powerful thing. It brings people together.

    Do you have a favorite venue to play at?

    Soma in San Diego. That’s always a fun place to come back to, sort of homecoming whenever we get to play in San Diego. The club has lots of memories. I grew up going to rock shows there. When we play there it seems fitting, a natural you know, sort of full circle completion of a musical journey that started in San Diego and continues every time we come home.

    What inspires your music?
    For me, finding hope in dark places. We've had the opportunity to travel and see a lot of the world in the last few years. I'm still learning so much about the world and myself. Few experiences we've had in dark parts of the world...there was a trip to South Africa a couple years ago. Just seeing the light in the kids’ eyes and joy that they have surrounded by poverty and disease and they’re living in a way that I could only hope to in terms of real joy in the midst of pain. I feel we’re so sheltered here in the Western world. The more I travel the more I realize there’s hope. It has redefined what I view as hope…the experiences like that shape your world view. I’m very much a student still. Music has always been asking questions, talking about things in a song we’re not comfortable talking about in other situations. Songs are vehicles of exploring the world. I grew up listening to Bob Dylan and Johnny Cash. They’re not afraid to wear their heart on their sleeves and talk about things no one else is talking about. With music you can talk about things that are taboo and have deeper conversations, dialogue that you wouldn’t in everyday life. For me, music is a very powerful thing.


    Want to receive all the latest scoop from the artists and bands you love?
    Subscribe to My Blog
    Follow Me on Twitter
    Join My Group on Facebook
    Add Me on MySpace
    Watch My Videos on YouTube
  • Best and worst of 2009

    15 fév. 2010, 3h56m par OnDistantShores

    Best albums of 2009:

    10. Paramore - brand new eyes

    Released 25/9/2009
    Played 105 times
    This was a real surprise for me. Paramore is a bit of a guilty pleasure of mine - chick-fronted sugary pop-rock as it is. But Brand New Eyes is impossible not to enjoy. It's quite different to RIOT!, a little quirkier, a little more mature lyrically, and it's definitely an improvement.

    9. Dance Gavin Dance - Happiness

    Released 9/6/2009
    Played 138 times
    DGD's last self titled album certainly showed a new direction with the departure of singer Jonny, and the transition to Kurt was a very impressive one. But that's nothing compared to the change on this album. They're now a party-post-hardcore band, and I couldn't be happier with the result. The change in screamer is a positive one too; he's admittedly more generic, but it fits a lot better with their new style. I can't wait to see what they do next.

    8. Fiction Family - Fiction Family

    Released 20/1/2009
    Played 207 times
    Jon Foreman's series of EPs last year were phenomenal, and proved yet again his incredible songwriting prowess. The formation of Fiction Family with Sean Watkins from Nickel Creek was a very profitable one indeed. Their mix of folk and acoustic (with a few country sensibilities here and there) is very, very satisfying indeed. I don't feel that this album was as strong as it could be, but is still sweet and well written, and sure to please any fan of either of these two impressive musicians.

    7. Mae - (m)orning

    Released 19/4/2009
    Played 97 times
    After their last abomination, Singularity, Mae have been through a few lineup changes and clearly a few changes in their musical approach, too. Independently releasing one song a month during 2009 and donating all proceeds to various humanitarian projects was a fantastic idea, and in my books it garnered them a lot of respect points. And now for the music - wow! Improvements in every area. You can tell that a lot more time has gone into the songwriting process, and without the weight of commercial expectations on their shoulders, the result is extremely impressive. The Everglow is my favourite album of all time, but if they make more music like this, that might not be the case for too much longer!

    6. Closure In Moscow - First Temple

    Released 25/9/2009
    Played 105 times
    These guys are my most exciting new find of 2009, and more satisfying of course seeing they're from Melbourne. The comparisons with The Mars Volta are inevitable due to the vocals and their progressive nature, but I honestly believe they're even better than TMV - they showcase all of TMV's good bits and none of their 'filler'. This album is much more focused and rock-sensible than anything TMV have done, and it makes for an extremely tight album which always keeps you guessing. I'll be watching these guys very closely in the future.

    5. David Bazan - Curse Your Branches

    Released 1/9/2009
    Played 64 times
    I'd heard of bits of Pedro the Lion's stuff over the years, but never particularly taken a lot of notice, although I had always respected his thorough & intelligent approach to songwriting. Now that Bazan has gone "solo" there's no drastic stylistic changes, although despite his self-proclaimed departure from Christianity (and towards agnosticism), his lyrics are much more God-orientated. He spends most of this album questioning and criticising various aspects of traditional Christian beliefs, and as a Christian myself I found it very poignant and enjoyable. His trademark lyrical depth is ever-present, and it serves as a fantastic critique & challenge to those who've never really thought through some of the more debatable aspects of contemporary Christian belief.

    4. mewithoutYou - It's All Crazy! It's All False! It's All A Dream It's Alright

    Released 19/5/2009
    Played 253 times
    Mixed feelings about this album. After hearing Brother, Sister, mewithoutYou became one of my absolute favourite bands. It's true that they had been getting "softer" over the years, and this album certainly has none of the angsty "yelling" (it doesn't feel right calling it "screaming") from past albums, but unlike a few other naysaysers, the "softness" is not what I take issue with on this album. I think it's disappointingly the most generic mewithoutYou album (musically), and their uniqueness is precisely the reason I fell in love with them. So why is it still #4 on my list? It's still mewithoutYou!! It's still beautiful, the lyrics are as insightful & obscure as ever, and there is a few all-time favourite mewithoutYou tracks in there. It's just let down by a few (relatively) boring tracks, which just sound less insipred than what I've come to expect. But this is me being critical. This is still a wonderful album and a delight to listen to.

    3. fun. - Aim and Ignite

    Released 25/8/2009
    Played 96 times
    This came out of left field. Fronted by the ex-The Format vocalist, these indie pop-rockers are very hard to adequately describe. I've heard it degrogatorily described as "circus music", and that's not too bad a way to put it, and is far from derogatory in my books. All I can say is that there is no more apt band name for any music I've come across before - this is pure fun. It's smooth, upbeat, and perfectly consistent. I challenge you not to enjoy this album!

    2. As Cities Burn - Hell Or High Water

    Released 21/4/2009
    Played 278 times
    As the last As Cities Burn album, this is a bittersweet one. It's not at all what I would have expected from them, but it's a great way to finish nevertheless. It's nowhere near as consistent as Come Now, Sleep - there's some blues, some electronic bits, some straight-up indie rock, some old-school ACB vocals thanks to a few cameos by ex-screamer TJ - there's a bit of everything. This certainly makes for some highs and lows, and the album closer isn't anywhere near as strong as it could be, but it is classicly original ACB and a wonderful experience throughout.

    1. Relient K - Forget And Not Slow Down

    Released 5/10/2009
    Played 172 times
    Looking at my charts, you might think that it's very little surprise that this is my #1 pick for the year. But for me it's actually quite the opposite. Previously I would have said that Relient K peaked with mmhmm, an album which showed them moving in a slightly heavier direction, which I loved. Ever since I'd been hoping that they would move back to this sound, which led to a bit of disappointment when I first heard Forget And Not Slow Down. But with time, this album has proved itself to be a perfect addition to their catalogue, and possibly their best album to date. No, it's nothing groundbreaking musically, but it is wonderfully consistent, and beautiful in every way, at every step in the journey from start to finish. Theissen's lyrics continue to improve, and while there is much less humour on this album (another fact which at first was a turnoff), his trademark wit is ever present, and it makes for a memorable experience.

    Honourable mentions:
    - August Burns Red - Constellations: Not as strong and interesting as Messengers, but still a good listen
    - Alexisonfire - old crows young cardinals: A more mainstream punk sound might be more in line with their influences, but is a bit of a step back from their standard.
    - Oh, Sleeper - Son Of The Morning: More of the same from Oh, Sleeper, but that ain't bad.
    - Project 86 - Picket Fence Cartel: HEAPS better than their previous departure, Rival Factions
    - He Is Legend - It Hates You: Surprisingly unique, dirty, alternative rock. The extra vocalist adds a lot of character.
    - The Fall of Troy - In the Unlikely Event: Bit of a let down, not because of the lack of screaming per se, but only because that means Thomas did a lot more singing, and his singing just isn't strong enough for a full album of it. Musically still as fantastic as ever.
    - Derek Webb - Stockholm Syndrome: The electronic move was a bit of a twist, and he pulled it off. Fantastic lyrics as always.
    - Emery - In Shallow Seas We Sail: The move back to classic Emery was a great move, this is hugely satisfying.
    - Say Anything - Say Anything: Better than In Defense of the Genre, but still not as strong as ...is a Real Boy. Easily the most intelligent pop-punk band around.
    - I See Stars - 3D: Easily one of the forerunners from the slew of new dancecore bands around, definitely worth a listen.

    Biggest disappointments of 2009:

    - Mayday Parade - Anywhere But Here: Suffers terribly from the lack of dual (sometimes triple) vocalists perfectly showcased on A Lesson in Romantics
    - Switchfoot - Hello Hurricane: They're on their own label now, couldn't they have done something a bit different? More of the same from Switchfoot, and the least interesting Jon Foreman lyrics I've heard in a while.
    - This Providence - Who Are You Now?: They've moved towards a very generic indie rock sound, and it's just plain boring.

    Best songs of 2009:

    10. August Burns Red - Mariana's Trench
    9. Relient K - ÉcouterCandlelight
    8. Closure In Moscow - ÉcouterVanguard
    7. Paramore - Looking Up
    6. fun. - ÉcouterThe Gambler
    5. Relient K - ÉcouterForget And Not Slow Down
    4. mewithoutYou - the Fox, the Crow, and the Cookie
    3. Mae - ÉcouterThe Fisherman Song (We All Need Love)
    2. As Cities Burn - ÉcouterErrand Rum
    1. mewithoutYou - ÉcouterThe King Beetle On A Coconut Estate

    Best albums of 2008 that I didn't get into until 2009:

    - City and Colour - Bring Me Your Love
    - The Fall of Troy - Phantom on the Horizon
    - La Dispute - Somewhere at the Bottom of the River Between Vega and Altair
    - Protest the Hero - Fortress

    Created using OnDistantShores's Album Of The Year journal generator.
  • The fall of an empire — the Lesson of Byzantium

    9 fév. 2010, 18h07m par Sandronic



    http://www.lastfm.ru/group/Orthodox+Planet

    Russia state television showed “The Fall of an Empire: The Lessons of Byzantium,” a film by Archimandrite Tikhon Shevkunov, in late January. The film sparked a heated debate about the role that the West played in the collapse of the Byzantine Empire, whether modern Russia faces similar dangers, and whether the Russian Orthodox Church could help prevent a similar collapse.




















    Russia state television showed “The Fall of an Empire: The Lessons of Byzantium,” a film by Archimandrite Tikhon Shevkunov, in late January. The film sparked a heated debate about the role that the West played in the collapse of the Byzantine Empire, whether modern Russia faces similar dangers, and whether the Russian Orthodox Church could help prevent a similar collapse.

    By Vsevolod Chaplin

    Archimandrite Tikhon poses very important questions in his film: Who are we as Russians? Is Russia just a remote backwoods of Europe? Are we doomed to be obedient students of the West? Or is Russia heir to time-honored traditions passed down directly from ancient Rome and from which the West could also benefit? Should Russia follow the Western paradigm, as if it were indeed universal, or does Russia have its own path that is just as legitimate?

    These have always been questions for Russia, not only during the 19th century disputes between Slavophiles and the Westernizers, but also during Peter the Great’s reforms and the backroom discussions of speechwriters for Soviet leaders Leonid Brezhnev and Mikhail Gorbachev.

    A fresh look at Byzantium — an empire despised by both Western and Soviet ideologues — presents us with an excellent opportunity to talk about today’s Russia. For the first time, the average television viewer heard that the Eastern Roman Empire was neither an “evil empire” nor a center of dark obscurantism and superfluous luxury, but the largest civilization of its time and one that has something to offer modern Russia.

    It is little wonder, then, that the film upset those who have been trying to convince us that the sun rises not in the East but in the West. It is surprising that some critics have not bothered to discuss the film’s production quality or the facts and ideas it portrays, but have simply lashed out at the very idea of “rehabilitating” Byzantium and the “Byzantine spirit” in Russia. Their arguments are weak. “The filmmakers are trying to take us back to the Middle Ages,” they say.

    What we need here is a real dialogue with pro-Western Russians. Are they able to prove that the course of development they favor is the sole alternative, even though that path is causing an increasing number of crises in the West? What has the West come to when its leading nations drop bombs in an effort to prove the truth of their cause? Alternatively, does the ideal of an alliance between the people and the authorities suggested by Byzantium offer a viable model for the future? Might the West itself one day turn to such a model as well? We clearly do not have enough dialogue on these questions. Instead, we have heated arguments on the one hand and demands that the film be all but prohibited on the other.

    The film provides convincing arguments that the Byzantine model of society — based on Christian social ideals, on the unity of faith, on the “symphony” and harmony of church and state and on mutual understanding rather than competition — has a very promising future. It is no coincidence that Russia survived, and even thrived, when it adopted this model. The main thing now is not to marginalize those who are sympathetic to this paradigm, whether in the East or in the West.

    By no means was everyone from the West an enemy. Among the first crusaders were quite a few Westerners who sincerely wanted to help, and they sacrificed their money, health and lives. Many in Western Europe, including the pope, viewed the fall of Constantinople and the plundering by crusaders as a real tragedy. Only later did the West attach a pejorative meaning to the word “Byzantium” as something unworthy of respect.

    Russia needs dialogue with the West. It is not only indifferent egoists and our opponents that live there — we also have sincere friends in the West, and the copies of Russian icons hanging in the churches of Brussels, Paris and Rome testify to this.

    But this dialogue should not be one-sided. Russia and the West need to respect each other and accept each other the way they are. Only in this way can we offer each other our best qualities and values — and correct the worst.

    Father Vsevolod Chaplin is the vice chairman of the department of external church relations of the Moscow Patriarchate.

    SkilletLifehouseDolly PartonMxPxJohnny CashP.O.D.UnderoathOver the RhineThird DayJars of ClayNewsboysSwitchfootRelient KSteven Curtis ChapmanAvalonVeggie TalesGRITSDemon HunterCarolaAnberlinSanctus RealMatt MaherFlyleafKurfürstThe BeatlesMetallicaPink FloydQueenRammsteinRed Hot Chili PeppersBlind GuardianGreen DayGuns N' RosesAs I Lay DyingCarlo GesualdoA Sei VociPierre de la RueRadioheadMuseLady GaGaColdplaydc TalkDelirious?Michael W. SmithtobyMacMercyMeAugust Burns RedRebecca St. JamesUnderoathSuperchic[k]Audio AdrenalinePillarFalling UpThe Devil Wears PradaAmy GrantShawn McDonaldLeelandHawk NelsonCaedmon's CallPhil WickhammewithoutYouBlindsideBethany DillonTim HughesJennifer KnappAvalonNichole NordemanAs I Lay DyingBebo NormanDemon HunterSonicfloodMatthew WestStarfieldAnberlinSanctus RealWolfgang Amadeus MozartLudwig van BeethovenJohann Sebastian BachLudovico EinaudiPhilip GlassPyotr Ilyich TchaikovskyFrédéric ChopinClaude DebussyAntonio VivaldiCarl OrffErik SatieFranz SchubertSanctus RealFive Iron FrenzyThousand Foot KrutchBarlowGirlPlumbDiscipleBrandon HeathChris RiceRich MullinsFamily Force 5Norma JeanThe AftersFM StaticAaron ShustJon ForemanLincoln BrewsterHillsong LondonStacie OrricoMark SchultzSixpence None the RicherJaci Velasquez
  • shows. (2/9/10)

    9 fév. 2010, 9h42m par V1OLA

    Owl City
    Epicentre. San Diego, CA

    The Fray, Jack's Mannequin, Vedera
    Shoreline Ampitheatre. Mountain View, CA

    Sherwood, Pink Spiders, Barcelona, Reign Of Kindo
    Downtown Brew. San Luis Obispo, CA

    Jack Johnson.
    UCLA. Los Angeles, CA

    Future of Forestry, Melody Doo.
    Pomona, CA

    Kate Veogele.
    Cal Poly. San Luis Obispo, CA

    The All-American Rejects, Paramore, Jimmy Eat World, We The Kings, The Starting Line
    Bamboozle Left 2008. Irvine, CA

    Daphne Loves Derby.
    Cal Poly. San Luis Obispo, CA

    Sherwood, We Shot The Moon, The Higher, The Matches.
    Downtown Brew. San Luis Obispo, CA

    We Shot The Moon.
    Cal Poly. San Luis Obispo, CA

    Relient K, Switchfoot, Ruth.
    Cal Poly. San Luis Obispo, CA

    Cartel.
    Cal Poly. San Luis Obispo, CA

    The Fold, The Red Jumpsuit Apparatus, The Rocket Summer, Cute Is What We Aim For, Tiger Army, The Starting Line.
    Warped Tour 07. Carson, CA

    Hellogoodbye, Northern, OneRepublic.
    Biola University. La Mirada, CA.

    Relient K, Sherwood, Mae.
    The Avalon. Hollywood, CA.

    Quietdrive, Over It, Mêlée, Bowling for Soup.
    House of Blues. Anaheim, CA.

    Jon Foreman from Switchfoot, Jonathan Jones from Waking Ashland, Dave Elkins from Mae.
    Invisible Children Benefit Concert.
    Biola University. La Mirada, CA

    Relient K, Copeland, Sherwood, Cool Hand Luke, House of Heroes, My American Heart, Vedera, OneRepublic, Tokyo Rose, Mae, Waking Ashland, Dustin Kensrue, Mêlée, Starflyer 59, Brandtson, Hundred Year Storm, Goodbyetomorrow.
    Uprising Festival. Irvine, CA

    Tristan Prettyman, Mike Doughty.
    54th and 5th St. New York City, NY

    Hellogoodbye, Sherwood, Cartel, Gym Class Heroes, Plain White T's.
    Warped Tour 06. Los Angeles, CA

    Anberlin, Hawthorne Heights.
    The OC Fair. Costa Mesa, CA

    Anberlin, Emery, Jonezetta, The Classic Crime, Far-Less.
    Henry Fonda Theater. Hollywood, CA

    Mae, Northern, Lovedrug.
    Biola University. La Mirada, CA

    Relient K, Over It, MxPx, Rufio.
    Henry Fonda Theater. Hollywood, CA
  • Live Music

    13 jan. 2010, 1h02m par UrBeautifulName

    I posted a list of bands i had seen a few years ago and this is my updated count. :)
    This list started counting from the summer of 05 through 2009.
    "|" represents each addictional time I have seen this particular band.
    (I have cut out some local bands)

    Bands seen live:
    A Dream Too Late
    Aaron Shust
    Above The Golden State - |
    After Edmund - |
    The Afters - ||
    Amy Grant - |
    Anberlin
    Article One
    Audio A
    Ayiesha Woods - ||
    b. Reith
    BarlowGirl - |
    Bethany Dillon - ||
    Bradley Hathaway
    Building 429 - |
    Cali
    Casting Crowns - |
    Children 18:3 - |||
    Chris Sligh
    Chris Tomlin - |
    The Classic Crime
    Cool Hand Luke
    David Crowder - ||
    DecembeRadio
    Delirious?
    Disciple - ||
    Edison Glass
    Eleventyseven - |
    Esterlyn
    Everyday Sunday
    Falling Up - |
    Family Force 5 - |||
    Fee
    Fireflight - ||
    Flyleaf
    The Fold - |
    Future of Forestry
    The Glorious Unseen - |
    GRITS
    Group 1 Crew
    Hawk Nelson - ||
    High Flight Society
    House of Heroes
    Hyper Static Union
    Inhabited
    Jars of Clay
    Jeremy Camp
    John Mark McMillan
    John Reuben
    Jon Foreman
    KJ-52 - |
    The Katinas
    Kimber Rising
    Krystal Meyers
    Kutless - |||||
    LA Symphony
    LeCrae - |
    Leeland - |
    The Listening / Worship Circus
    Lincoln Brewster
    lyrycyst
    Matthew West
    Me In Motion - |
    Mewithyou
    MercyMe - |
    Moses Mayfield
    Nate Huss
    Natalie Grant - |
    NEEDTOBREATHE - ||
    Nevertheless - |||||||
    Newsboys
    New World Son
    Parachute Band - |
    Phil Wickham
    Pillar
    Project 86 - |
    Portland
    Red - |
    Reilly - |||
    Relevant Worship
    Relient K - ||||
    Rush of Fools
    Ruth - |
    Run Kid Run - ||
    Ryan Ferguson
    Sanctus Real - ||
    Seabird - |||
    Seventh Day Slumber - |
    Shane & Shane
    Shawn McDonald
    Sherwood
    Skillet - ||
    Starfield - |||
    Stellar Kart - |||
    StorySide:B - |
    Superchic[k]
    Switchfoot - |||||
    Tammy Trent
    Tim Hughes
    Third Day - ||
    This Beautiful Republic - ||
    Thousand Foot Krutch - ||
    tobyMac - ||
    Underoath
    Worth Dying For
    ZOEgirl - |
  • De beste EP's van 2009

    2 jan. 2010, 16h54m par timkroesbergen

    1. Mailman John - Soundcheck For Birds
    2. Stud Muffins - Tricks Up My Sleeve
    3. Yael Meyer - Heartbeat EP
    4. Jon Foreman - “Seizoen’s EP’s”
    4. Anna Nalick - Shine
    5. Roos & Torre - De Speeldoos
  • Most played albums 2009

    16 déc. 2009, 4h31m par Hopeazul

  • Top 10 Especial - Melhores CDs de 2009

    10 déc. 2009, 22h13m par Danielm3

    Frequentemente, eu atualizo um Top 10 no meu perfil no orkut dos "CD"s que eu to mais escutando... Geralmente, o primeiro é lançamento, pra fazer um marketing, sabe?

    Mas não dessa vez! Dessa vez é Especial.

    Nesse fim de ano, faço uma lista dos 10 melhores CDs "cristãos" desse tão esperado ano de 2009, que as minhas bandas preferidas lançaram CDs. Um ano de muitas decepções e algumas surpresas musicais.

    Devo já adiantar que esse post é fortemente baseado na Minha Opinião, lógico...
    Então vamo lá:


    10: The Almost - Monster Monster

    O The Almost é o nome do projeto paralelo do baterista e segundo vocalista da banda de Post-Hardcore Underoath, tocando um Rock Alternativo, com influências Folk em algumas músicas. Em 2006, eles lançaram seu primeiro CD, Southern Weather, que na minha opinião, pareceu muito mais "Aaron & Banda" do que uma banda completa.

    No novo CD, Monster Monster, me pareceu um projeto mais encorpado e muito mais empolgante do que da primeira vez. Por isso, ele leva a 10º posição dos Melhores CDs de 2009.


    9: Fiction Family - Fiction Family

    Fiction Family é o nome do projeto Indie / Acústico / Folk dos vocalistas Sean Watkins do popular trio bluegrass Nickel Creek e Jon Foreman da banda de rock Switchfoot, que lançou o primeiro CD esse ano, depois da série de 4 EPs solo do Jon Foreman.

    Nesse projeto, eles deixam os temas cristãos e filosóficos das bandas de lado, e escrevem mais pelo lado romântico. Provavelmente é o CD mais leve e tranquilo da lista. Isso, claro, significa violões pra todo lado. Um disco cheio de clássicos como ÉcouterWhen She's Near e ÉcouterWar in My Blood, aqui na nossa 9ª posição.


    8: Switchfoot - Hello Hurricane

    Eu acho que já falei até demais desse álbum, como vocês podem ver na ENORME resenha que eu escrevi nesse blog.

    Esse CD divide meu frágil coração em muitos pedaços. Alguns pedaços amam algumas partes do álbum, enquanto outros pedaços odeiam outras.
    Mas provavelmente, apesar de tudo, estamos falando de um dos melhores, senão o melhor trabalho lírico e musical do ano. Mas, vai apenas a 8ª posição. Bem pouco para uma banda como o Switchfoot.


    7: Paper Route - Absence

    O Paper Route foi uma das gratas surpresas desse ano. É uma banda Alternativa / Eletrônica / Indie.

    Seu debut, Absence, lançado pela lendária gravadora Motown andou fazendo muito barulho por aí. Inclusive o clipe da música ÉcouterCarousel ganhou um concurso lá no mtvU dos EUA, pelo qual eu votei igual um doido varrido durante mais de uma hora. Foi emocionante...
    Por essas muitas e outras, um álbum sensacional, ele leva a nossa 7ª posição.


    6: Skillet - Awake

    O Skillet, é uma das mais famosas e respeitadas bandas cristãs de Rock Alternativo, com os álbums Collide (2003) e Comatose (2006).

    O novo álbum, Awake, é definitivamente mais fraco que seus predecessores, mas é um CD mais cheio de baladinhas legais, e de algumas faixas pesadas com a assinatura indescritível do Skillet. Liricamente, é um album com letras claramente honestas e verdadeiras.

    Com músicas apaixonantes como Hero, Never Surrender e Lucy o Skillet petisca nossa 6ª posição.


    5: High Flight Society - Par Avion EP / Mae - (m)orning EP [EMPATE]

    Eu resolvi colocar 2 EPs na 5ª posição, porque como são EPs mesmo, né? Achei que ninguém ia reclamar de um empate. E realmente esses EPs regaçaram tudo nesse ano. Se não ficasse demais, eu colocava uns 4 EPs na quinta posição. Mas tá bão...

    O High Flight Society, é uma das maiores promessas para o Rock alternativo cristão, agora com algumas influências eletrônicas.
    Você pode conferir na íntegra esse novo EP aqui mesmo, no Last.fm por esse link

    E claro, a Mae, sempre sensacional...
    Esse EP é praticamente uma viagem completa, até chegar a "(m)anhâ". Na verdade, o CD se trata de um projeto social da Mae, acho que pra reconstruir alguma coisa, como eles falam sobre na música ÉcouterThe House That Fire Built, que também está completa aqui na Last.fm. Com certeza, o melhor trabalho instrumental da lista. Vai tocar bem assim lá na china...

    Recomendo altamente checar os dois projetos.


    4: Maylene and The Sons of Disaster - III

    Esse álbum é um dos mais escutados por mim ultimamente. É o terceiro da série da banda de "Hardcore da roça" Maylene and the Sons of Disaster. É a banda de nada mais nada menos do que Dallas Taylor, ex- vocalista original da banda Underoath, já citada aqui.

    Um pouco menos Hardcore e mais Rock'n Roll dessa vez. o CD é cheio de solos de guitarra pra dar inveja aos clássicos do rock. Um álbum empolgante do começo ao fim.

    Me lembrando da minha fase "total Hardcore", esse CD vai pra nossa 4ª posição.


    3: Pillar - Confessions

    Levando a medalha de bronze, está o bom e nunca velho Pillar. Depois da mudança de membros, colocou sangue bem novo pra trabalhar.

    E o resultado foi bastante surpreendente. O próprio vocalista Rob Beckley disse que esse foi o melhor álbum desde Where Do We Go From Here (2004), um dos maiores sucessos da banda. Um Rock Alternativo, com um pouco de influência Post Grunge pra definitivamente ninguém a botar defeito.

    Com hits como ÉcouterWhatever It Takes e ÉcouterSecrets And Regrets aqui está o Pillar, na merecida 3ª posição


    2: Red - Innocence & Instinct

    Lançado no início de 2009, está aqui o quase esquecido Red.

    Esse segundo CD é definitivamente bem diferente do primeiro. Mais pesado, menos baladas, mais temático. Mas ainda com a assinatura do Red, com muitas orquestras, e um CD extremamente altamente bem produzido. Eu até demorei pra entrar nesse álbum, mas depois que entrei...

    Eu, pessoalmente, me identifico muito com esse CD. Eles mesmos disseram: "No primeiro CD, nós falamos sobre as coisas que nós lutamos contra. Mas dessa vez, é sobre lutar contra si mesmo.". O CD, traça uma brilhante trajetória da luta dentro de nós mesmos. Da luta da "Inocência" contra o "Instinto".

    Eu, sinceramente, acho difícil encontrar palavras para descrever esse álbum. Esse CD está na segunda posição, mas poderia muito bem estar na primeira.



    1: Thousand Foot Krutch - Welcome To The Masquerade

    Depois de uma briga feroz com o CD do Red, aqui está: O prêmio de melhor do ano vai para o Thousand Foot Krutch

    A lendária banda de Rock Alternativo com influências do Rapcore volta do não tão aclamado The Flame In All Of Us (2007) pra fazer o melhor álbum de sua carreira.

    Dessa vez, eles apostaram numa produção superior do álbum, fazendo um Rock mais pesado, as vezes gritado, parecendo algumas vezes com o Nu Metal do Linkin Park.

    O destaque nesse álbum vai para a impressionante e cheia de atitude voz de Trevor McNevan. Esse é O CD de Rock Alternativo dos sonhos de qualquer fã do estilo.

    _________________________________________________________________

    E estamos agarrados em 2010, com promessas de mais Number One Gun, Eisley, Fireflight, tobyMac, DecembeRadio, Demon Hunter, The Classic Crime, The Listening, Spoken, Sixpence None the Richer, Switchfoot, Secret & Whisper, Blindside, etc... etc... etc...
  • Laura Jansen/Dan Mangan show recap

    6 déc. 2009, 23h28m par innerearmedia

    I actually only just got back from the show. Didn't really stay too long afterwards as there was a whole army of fans around Laura to meet her and let her sign things and take photos. And since I had already briefly talked to her after her showcase in Paradiso awhile ago, I figured I'd let the rest of the people have their moment. I was very happy to see and especially hear her show though. Unlike last time, Laura played a solo set this time. The songs instantly became more intimate and more personal, and the emotional layers in the songs came out even better than before.

    As always she excells in her vocals, the girl can sing like no other, it's absolutely beautiful. And the personal touch and connection with her songs makes them come out so much stronger than people who have no connection with whatever they're singing. Laura Jansen is a true artist in every sense of the word and proved, once again, that she is a very accomplished performer as well.

    Again, the highlight of the night was her performance of The End, a song that holds special meaning to myself due to certain events that have gone on in my own life, so I feel a strong connection to that song. And the empathic manner of performance of this song has a comforting effect on me.

    She played all her other songs from both the Trauma EP & Single Girls EP (or basically her album Bells + ÉcouterTrauma) as well as If Moon Was Cookie and the encore was a song called Pretty Pretty Me, which was an incredibly impressive and personal song that just made me listen in awe.

    Laura Jansen is a rare talent and while there might still be many roads yet to follow in her life and career, she is genuine and she's honest. Her music stands for something and she stands for her music. She once said in an interview that she wants to make a difference and remain a good person. In my opinion she is doing a heck of a job so far.

    Her opening act was Dan Mangan who I didn't really know too well. I had checked out his music before I went and thought that it sounded pretty nice, but he pleasantly surprised me at the show with a witty and gutsy performance, very raw and honest, like a real singer/songwriter is supposed to, right? He reminded me of Glen Hansard a little bit (from The Frames/The Swell Season) and vocally he is kind of in between Glen Hansard, Raine Maida & Jon Foreman, which I mean as a huge compliment. His guitar playing was obviously meant to support his singing and songwriting and was fairly subtle and simple, but I think the songs actually benefited from that. And at the end when he played ÉcouterRobots, he actually got the sold-out venue on his hand and when he jumped into the audience and played/sang with us, it was just one great party.

    All in all it was a great night and one that put a smile back on my face. Thank you Dan and thank you Laura for a night full of beautiful music and fond memories.

    Sun 6 Dec – Laura Jansen, Dan Mangan
  • Best of 2009

    5 déc. 2009, 6h34m par thesmartguy

    1. Hillsong United (531 plays)
    2. David Crowder Band (465 plays)
    3. Elevation Worship (398 plays)
    4. Anberlin (376 plays)
    5. Relient K (375 plays)
    6. Coldplay (365 plays)
    7. Kutless (360 plays)
    8. Hillsong (349 plays)
    9. Skillet (345 plays)
    10. Five Iron Frenzy (296 plays)
    11. Switchfoot (293 plays)
    12. Chris Tomlin (280 plays)
    13. Passion Worship Band (263 plays)
    13. Shane & Shane (263 plays)
    15. Pillar (241 plays)
    16. Emery (238 plays)
    17. Phil Wickham (232 plays)
    18. Flame (228 plays)
    19. Jon Foreman (225 plays)
    20. Jeremy Camp (223 plays)
    21. Hillsong London (201 plays)
    22. Falling Up (195 plays)
    23. LeCrae (193 plays)
    24. Leeland (190 plays)
    25. Thousand Foot Krutch (170 plays)
    25. Philmont (170 plays)
    27. Building 429 (169 plays)
    28. Shawn McDonald (166 plays)
    29. 116 Clique (160 plays)
    30. Charlie Hall (159 plays)
    30. Kristian Stanfill (159 plays)
    32. Family Force 5 (158 plays)
    32. Red (158 plays)
    32. Seventh Day Slumber (158 plays)
    35. Brave Saint Saturn (154 plays)
    36. Mat Kearney (153 plays)
    37. Linkin Park (151 plays)
    37. Copeland (151 plays)
    39. Underoath (150 plays)
    39. Matt Redman (150 plays)