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Béla Bartók
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Béla Bartók (1881-1945)
(born Sînnicolau Mare, 25 March 1881; died New York, 26 September 1945).
He began lessons with his mother, who brought up the family after his father’s death in 1888. In 1894 they settled in Bratislava, where he attended the Gymnasium (Dohnányi was an elder schoolfellow), studied the piano with Laszlo Erkel and Anton Hyrtl, and composed sonatas and quartets. In 1898 he was accepted by the Vienna Conservatory, but following Dohnányi he went to the Budapest Academy (1899-1903), where he studied the piano with Liszt’s pupil Istvan Thoman and composition with Janos Koessler. There he deepened his acquaintance with Wagner, though it was the music of Strauss, which he met at the Budapest premiere of Also sprach Zarathustra in 1902, that had most influence. He wrote a symphonic poem, Kossuth (1903), using Strauss’s methods with Hungarian elements in Liszt’s manner.
In 1904 Kossuth was performed in Budapest and Manchester; at the same time Bartók began to make a career as a pianist, writing a Piano Quintet and two Lisztian virtuoso showpieces (Rhapsody op.1, Scherzo op.2). Also in 1904 he made his first Hungarian folksong transcription. In 1905 he collected more songs and began his collaboration with Kodály: their first arrangements were published in 1906.
(born Sînnicolau Mare, 25 March 1881; died New York, 26 September 1945).
He began lessons with his mother, who brought up the family after his father’s death in 1888. In 1894 they settled in Bratislava, where he attended the Gymnasium (Dohnányi was an elder schoolfellow), studied the piano with Laszlo Erkel and Anton Hyrtl, and composed sonatas and quartets. In 1898 he was accepted by the Vienna Conservatory, but following Dohnányi he went to the Budapest Academy (1899-1903), where he studied the piano with Liszt’s pupil Istvan Thoman and composition with Janos Koessler. There he deepened his acquaintance with Wagner, though it was the music of Strauss, which he met at the Budapest premiere of Also sprach Zarathustra in 1902, that had most influence. He wrote a symphonic poem, Kossuth (1903), using Strauss’s methods with Hungarian elements in Liszt’s manner.
In 1904 Kossuth was performed in Budapest and Manchester; at the same time Bartók began to make a career as a pianist, writing a Piano Quintet and two Lisztian virtuoso showpieces (Rhapsody op.1, Scherzo op.2). Also in 1904 he made his first Hungarian folksong transcription. In 1905 he collected more songs and began his collaboration with Kodály: their first arrangements were published in 1906.
Top Albums
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BARTOK: Mikrokosmos (Complete)
Béla Bartók
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Concierto para Violín nº 2 - Rapsodias nº 1 y 2
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BARTOK: The Miraculous Mandarin (Complete Ballet)…
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BARTOK: Out of Doors / Ten Easy Pieces / Allegro…
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Top Titres
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No. 9. Syncopation I
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No. 5. 6 Unison Melodies V
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No. 102. Harmonics
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Swineherd's Dance
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No. 64. Line against Point (versions A and B)
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No. 49. Crescendo - Diminuendo
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No. 113. Bulgarian Rhythm I.
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Shoutbox
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cryztal a écrit :
I just saw the Minnesota Symphony play "The Miraculous Mandarin." Absolutely incredible.
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TheNordicKing a écrit :
I'm not sure if Music for Strings, Percussion and Celesta is good to begin with. But maybe I'm just mad about chamber music so I would recommend solo piano works --> folk songs and dances, then maybe string quartets (these are F*CKIN' AWESOME, especially the fourth) ;) [in my private opinion string quartet is one of the most if not the most essential and quality form in classical music]
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GroupSupport a écrit :
prince among composers
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Rojavida a écrit :
@BeauxJangles Concerto for Orchestra is an excellent starting point - probably his most accessible orchestral music.
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Roncsipar a écrit :
mennyi külföldi baze
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BeauxJangles a écrit :
thanks guys I will get on that
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Gepule a écrit :
Yes, Music for Strings, Percussion and Celesta (Sz 106) should convince you.
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Seavas a écrit :
Music for Strings, Percussion and Celesta, definitely. Or the Wooden Price if you want a ballet in the vein of Stravinsky's Firebird, there's an excellent Boulez-conducted disk from the 70s that marries these two pieces with his Dance Suite and Scriabin's Poem of Ecstasy. Get that one if you can find it. If you can take thornier stuff give The Miraculous Mandarin or the String Quartet a spin. Cheers & enjoy.
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BeauxJangles a écrit :
where should I start with this guy
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musicfuninsd a écrit :
Bela Bortok is like So not God but he is good.
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aliespirituzomg a écrit :
The greatest musical mind of the 20th century.
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Martinchus89 a écrit :
Bela Bartok is god
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rebel_121 a écrit :
wake up, feelings
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winslowwinslow a écrit :
my man
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schisM_aj a écrit :
Playing the sonata for two pianos and percussion soon. Should be the highlight of my year.
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RootRude a écrit :
хорош, чертяка!
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gexi a écrit :
Danke Béla.
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Eric_Blair a écrit :
Don't see how he can be compared to Beethoven
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gruuvychicken a écrit :
simply and utterly mesmerizing to listen to
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mattCrimson a écrit :
better than radiohead :p
Vidéos
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Sonata for Violin &…
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Romanian Folk…
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Romanian Folk Dances
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Romanian Folk Dances
Concerts
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9
Ránki Dezső zongoraestje - „A ZONGORA” 2.
Művészetek Palotája – Bartók Béla Nemzeti Hangversenyterem, Budapest, Hongrie
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Auditeurs
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dalisit
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Evening in Transylvania -
mugwumpr
En ce moment
No. 9. Syncopation I -
Velesslavitsa
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ansicdude
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soulfortet
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Activité récente
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fpishdadian, bjornedlund, wwwojtus et 6 autres personnes ont ajouté Béla Bartók à leurs bibliothèques. Il y a 40 minutes
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herege666 a partagé Béla Bartók avec herege666. Mercredi matin
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ManOfMotley a tagué Béla Bartók contemporary classical et classical. Mardi soir
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sss7sss7 a tagué Béla Bartók composer, hungarian et classical. Mardi matin
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JabuJabu a tagué Béla Bartók avec le tag ‘classical’. Dimanche après-midi
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