Attrition

nyertun a écrit :

LIBYA CHILDREN IN CRISIS - BENEFIT ALBUM http://www.beats4change.org/libyachild.html Thank you Attrition for donating track #2 "Two Gods" In times of war, children suffer many abuses and traumatic experiences. Save the Children have set up a special Libya Children in Crisis Fund, and sales from this album will go directly to that fund, through the Facebook Cause, Libya Children in Crisis

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RedjMusic a écrit :

A review from Grave Concern: A piece of artwork! Very much like what you may find in a gallery. It's a piece. It may have several song titles on this album, pieced expertly together- displaying 25 yrs of well crafted fun. Light and dark, yin and yang, messages to make you ponder, music and bleeps and pops and wowza! You always hope that a concert on CD sounds oh so good...this is oh so terrific and engaged me so! Congrats Attrition on 25 and many more. - Jules Cohen (Projekt.com)

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eliasdark a écrit :

nice¡¡¡¡¡¡¡

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mmynxx a écrit :

So true. (EA) She is a suicidal Goth Lady Gaga. Love Attrition. ^^ Truly original and incredibly beautiful sound.

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Iridescence a écrit :

Emile Autumn's last couple of albums are so cheesy. She does not even desrve to be compared to Attrition who are a truly original and beautiful band. .

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the_spirit_mage a écrit :

I listened to their LTD All Mine Enemy's Whispers and I really like it. However, I also picked up on the controversy surrounding it: Emilie Autumn provided vocals and violins for one track, but she didn't finalize the release and this big thing happened between Attrition/Projekt Records and Emilie Autumn and her fangirls. I get and agree that EA has the right to be pissed from a legal standpoint, but in the end, I really have to side with Attrition musically and otherwise. It was a concept album and without that song, the concept wouldn't not have been completed and a lot of other hardwork on the album would have went to waste. It should not have been all about Emilie, Emilie, Emilie. Plus, since it was based off of a Victorian mass murderess, this was the only song featuring EA that made me remotely feel as if it was gothic Victorian, since her own music doesn't strick me as such. That's why I love the music presented by Projekt Records and why I stick with them all the way.

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skinnydrifter a écrit :

ATTRITION - ACID TONGUE

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accidentcauser a écrit :

Is this a mistake I made? Mistaking you for mescalin

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incunabula3 a écrit :

But the weird backing vocals are what make attrition attrition!

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SOLOMUSIKA a écrit :

*♫♪ ♫♪ ♥♥♥

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attrition1 a écrit :

no .....i think you found us alright... :)

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Elimination a écrit :

Strange. I was recommended Attrition by a goth friend of mine. I supposed it was gonna be darkwave/industrialm which I like. So I downloaded an album to preview. It's pure dissonance and all horror-like, reminds me of Lustmord, which I also like. So I thanked her. But it appears there's two bands named Attrition, and I found the lesser known one...

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THEMARKJONES a écrit :

goth + dance: a musical genre combination that Attrition has definitely mastered. they're quite entertaining to listen to, and they're quite innovative

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thiswindow a écrit :

...this is my humble opinion: http://www.systemculture.org/2009/08/attrition.html

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skinnydrifter a écrit :

Great darkwave band. Is it me, or can I hear a snippet of Bauhaus' Three Shadows (Part II, to be exact) in Attrition's Dreamsleep? Or is that just my version of the song? I hear the end part of Three Shadows Part 2, "riddle my" (closed bloated breasts) in the first few seconds.

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incunabula3 a écrit :

I really like the new live album :)

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lispnik a écrit :

Awesome stuff :-)

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attrition1 a écrit :

i have just taken over admin of this page!.... so if anyone wants to ask anything please do.... take care.... Martin Bowes!

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