Posted @ The Kiln Magazine
You get there already expecting every second of the whole night, yet any new light manages to make you shudder a little bit more. Everything is set so you can lose all reference to the outside world, find that exact instant when you know your past is all gone. Look ahead, you will never get tired of that moment, waiting for the musicians to come outside, every possibility laid out in front of you. Not so big venue, few lights, good attendance–enough to make you feel there's chance in the city for more shows like this; enough to make you wish it was always like that. What's important, and you'd learn that at the end, is not losing your past for good but becoming one with it, thus leaving yourself open for the world.
Remember that article in the New Yorker about her, just six months ago. You wondered if you'd ever have an experience like that, see her playing live, get a glimpse of her thoughts, taste her fear onstage; felt like another world altogether. …